NaPoWriMo – Day 10

There were three poems, but this one was a little more ready to go. More in the continuing string of longer than normal poems! Someone on facebook asked what pickles were on our refrigerator shelves and a lively listing ensued. Later it was summed up as a great long and very informative conversation that had nothing to do with the news! I totally agreed. What a welcome diversion.

After I was sick at the beginning of March, I took an actual list and did a pantry shop, just before things got locked down. (When I’d started to feel well enough to stay out of bed for awhile, I had got it in my head to clean out the pantry and kitchen shelves, which I did, a little at a time and many trips to the trash can.) I was glad to have just freshened up all my go-to items, and I’ve been lucky enough to be able to get some groceries for pick up and some fruits and veg delivered!

In these days —
“these difficult times”
when grocery shopping has
taken on a whole new
sense of adventure,
we talk about our
childhood meals and
favorite candybars and
how our sourdough is doing
as though we are indeed
in “difficult times”
My pantry has all the
old standbys, spaghetti,
makings of sauce, baked beans,
soup, sandwiches, pickles, relish.
Tea, coffee beans, sugar.
A few bottles of adult
refreshment for evening
Raisins, a jar of oatmeal.
Doubtful I will starve
although the cats would
tell you otherwise.
They seem concerned.
I reassure them daily.

.

NaPoWriMo – Day 10

NaPoWriMo – Day Five

I think staying home is starting to have some effect…

I wonder about the woman who lives here
Why there are poetry magazines piled
here and there and why so many
phases of books stacked and shelved
Why a herd of mixing bowls and not
so many cake pans or pie plates.
A vast population of mugs, mostly funny
a collection of teaspoons, non-matching.
The house could use, to be kind, some work,
but outside a bank of daffodils shines
and the bird feeders are topped off.
The mailbox stands quite ready and alert.
Here she comes, eyes full of clouds and the moon
a woman of some clear priorities.

NaPoWriMo – Day Five

NaPoWriMo – Day Four

Had a nice dinner with Mom. Beautiful sunset which I watched with a police car watching me. One other person stopped by for a few minutes to snap a few photos. I kept waiting to be told to ‘move along’ but I think the officer was probably watching what I was watching. Here, have a sonnet-ish thing. Sunset photos in the next post!

In My Pocketsies

Even though, it turns out I’m not going
anywhere today. Again. Staying home
because that’s the thing we’re all doing. Uh.
So, even though I’m staying home again.
I get up, do all the things, put on clothes.
comb my hair and then — this is the surprise:
I put things in my pockets like normal.
Well, normal is such a slippery word.
I thought about this today, my pockets,
more specifically the fact I carry
three pens with me, and a small notebook too.
Two in a pocket, one on my neckline,
I’m ready to snare whatever words are
trying to sneak by. Oh — I am ready!

NaPoWriMo – Day Four

World Watercolor Month Day #22

It rained all day and it’s still raining. Which is good because during that insane sunset last night the temperature and humidity dropped 10 points each and this morning it was a swell 65F.

An online tutor that I have, Alan Owen in the UK, posted a video demonstrating mixing various greens and wondering what blues and yellows we were using to mix greens. He’d asked me that question the other day about a painting I’d posted to the group and I have the feeling he’d prefer that we all mix our greens. I do test mixes from time to time because in theory mixing greens make sense. You have blues and yellows on your palette that should be all you need to mix up whatever you need. In reality I keep a few greens on my palette and mix from there. I think it’s often water control that messes me up.

But anyway – rainy day and a question worth answering – what greens can you get from the blues and yellows on your palette (and beyond). I took nine blues and six yellows and did a rather orderly mixing chart. Then I did a page of just various greens I have.

I’ve been thinking of setting up the new palette I got recently but was trying to figure out how to make it different than the one I’m carrying at the moment. So while pondering this I swatched out the yellows and red and browns plus a few purples. That about covered the whole spectrum.

mixing colors, swatches, new palette//embedr.flickr.com/assets/client-code.js

new palette

World Watercolor Month Day #22

World Watercolor Month Day #11

While scouting an slightly distant art supply store, I encountered a pad of Winsor & Newton paper: Artists’ Water Colour Paper, Mould-Made, Acid Free, 140lb Cold Pressed (Not). The “(Not)” is explained on the pad cover:

The Winsor & Newton range of Artists’ Water Color Paper Pads contain a superior Cold Pressed/NOT surface mould made paper, providing the most popular surface with the benefits of a stronger, more random texture. It is 100% acid free to ensure the longevity of your paintings. The external sizing of Artists’ Water Colour Paper produces brighter water colour washes and can make lifting colour easier.

I wanted to try it – it looked quite different – irregularly surfaced on the “front” and quite smooth on the “back”, so I brought a pad home with me. Here’s my first go. Probably not quite finished, but as far as I’m going tonight.

World Watercolor Month Day #11

Playing with color

I try not to buy a lot of different colors in watercolor since, in theory, you can mix all the colors you need from a rather limited array of colors. In reality this isn’t totally true (mixing bright or pale pinks is not easy for instance, and when you paint a lot of trees – a LOT of trees – using a range of prepared greens makes life a lot easier) and you know – you watch some video or wander into the art supply store and suddenly you’ve got a tube or two more in your stash.

This friends is how I recently ended up with a group of greys (warm, cool granulating, etc) and a set of new Winsor and Newton transparent colors and a couple tubes of Cobalt Blue, Deep.

And this is why every once in awhile you have to take time to mix colors together and find out what happens. In class last week, I asked if I was the only person who wasn’t a big cerulean fan. Only the teacher responded, without judgement!, with a great explanation of why cerulean, as a granulating color makes great color mixes and provides texture. He also explained the differences between that and the other two I have tried. He did say that different people see color differently. To me, it’s a little greyed.

I resolved to try it again after I use what’s in my palettes. My test was to add yellow and red to make a green and purple and then to use a complementary orange to see what happened.

The idea of cobalt deep surprised me – cobalt is one of the basic, everybody has it and uses it, colors but deep – very granulating, intense… oooh sign me up. I did find a Winsor & Newton version – lovely.

But that’s not why I’m here. I’m here to say that sometimes you see something on the interwebs and think – that’s not true, is it? the man demonstrating at the American Watercolor Society did a whole scene using a bunch of mixed values all made of French Ultramarine and Golden Ochre. He explained that they don’t blend in the way that you might expect, to make something greenish. Instead, they blend as two suspensions and then granulated out into a mixture of blue and ochre particles. Mind blown. (also saw Cobalt Deep used similarly when creating shadowed areas using it and another color)

I search for a “gold(en)” ochre since all mine are yellow or just ochre and most definitely make green. Once in hand, this is what happened.

Playing with color

Greys – Grays – Got ’em

Got a package via Fed Ex today, rushed from the heart of Dick Blick. They didn’t want me to wait until the twenty-second as indicated when I’d placed the order. Five new paints – all greys/grays/sorta-grey.

I had just enough time to try these out on a bit of Arches hot press 140 and I knew I should have found some cold press instead. But here you go, joined by five other greys I already had and, in the middle, the common mixed grey of french ultramarine and burnt sienna. All Daniel Smith except for the one, noted as Holbein.

The new ones were pretty non-granulating compared to the others, at least on this paper. I think the grey titanium will be useful.

Greys – Grays – Got ’em was originally published on