The Fourth of July Weekend

I promised myself a few days with a minimum of social media and politics and a lot of art, art making and other good stuff. Three days to rest and recover and recharge. Sunday I went to the Clark to look at the new Frankenthaler exhibits and listen to a lecture about exhibit paintings. I snuck in a quick painting too .

In the evening I went to see Natalie Merchant in concert at Tanglewood. She was great. The first half felt subdued but I had no complaints – one of my favs was song #3 –

It was a nice mix of oldies and new work like Giving Up Everything, Break Your Heart and Life is Sweet, and I’m Not Going to Beg.

I felt buoyed up by her comments about the political situation and impressed that she would turn over time in a concert to let someone else talk about local activism.

Yesterday I already wrote some about.

Let me interrupt myself to say: if you have a local museum or such and they offer membership, you should do that – I feel good about supporting The Clark Art Institute, love their impressionist collection and many others on permanent exhibit, get to go to good lectures and some member-only things. And, even though I feel virtuous about supporting them, I surely do get my money’s worth out of it because I go there a lot, probably more because I’m a member.

Today when I went in one of the admissions folks was putting on my wrist band. Members bands are black. Day people get a bright yellow or other color. I allowed as it would be nice if the members got the nice color and everyone else got the black. The young folks said they’d just been talking about that very thing so we agreed they should make that happen for next year. LOL I’m sure there’s a good reason for the brightly colored day-trippers.

My main purpose for the return trip was another look at the Frankenthaler woodcuts exhibit, No Rules. I do think the lighting could be better. These are big (BIG!) things covered in glass and reflections are a problem. The process of making these is collaborative and complex in my understanding. The pieces are each unique and yet strongly tied in to the artist’s earlier paintings on display and to the Japanese tradition of woodcuts.

Then I hung around outside for awhile and did this:

And tonight I did this because every time I go to the Clark I look at John Constable’s cloud studies. Here’s one of them.

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